BY SUDDHASATYA GHOSH. KOLKATA INDIA (CINEMA MINIMA) — A few hours from now, the International Forum of New Cinema 2008 in Kolkata will be officially open with Girish Kasaravalli’s GULABI TALKIES. Mrinal Sen — one of the favourite directors of Girish — will be there, with actor Saumitra Chatterjee, one of the favoured actors of late maestro Satyajit Ray.
Girish is an interesting face of Indian cinema for long. In a recent interview he had talked about politics of image. When he was giving that interview he was in Maharastra, India. At that time an ambitious politician of Maharastra had called for a violent agitation against North Indians in particular and against all non-Marathi outsiders in general. Television channels were showing a jeep burning time and again as a proof of major disturbance there. I myself had worked in audio-visual form of journalism for long to understand that this is being overplayed. It happens sometimes, because in the capitalist form of competition you have to be the champion at any cost. It often leads to doping in the form of athletics and even Olympics too have to suffer from that. So I understood Girish’s point here without much ado.
GULABI TALKIES is based on a short story by Vaidehi. Gulabi — a marginal woman who is a Muslim and is left alone by her husband — is the protagonist. I think — in the world of 9/11 and post terrors by states and terrorist outfits — one can easily understand the importance of a Muslim character in a movie; and how far can the consequent development can go.
Girish as a maker is very keen on commenting. He uses a narration to bridge between his views on contemporary India and in actuality every maker does it in one sense or the other. The beauty of Girish is he is never loud or is never shy! This time too we will see what he has in his magic box.
Set in the backdrop of a fisherfolk village of Karnataka, India, Gulabi will live through her talkies; and I, in return, will count those moments for you, my readers. Till then, adieu!
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